For over a decade, I have dedicated myself to the performance of music of the 20th/21st century.
Looking back, I probably inherited this passion from my father who devoted himself to contemporary music as a professional harpist in France during the sixties and seventies. The desire to form a contemporary chamber ensemble and continue in the family tradition had been with me for quite a long time. Moreover, I was particularly interested in creating an ensemble that conveys the richness and intensity of multiple cellos.

During my years at the Eastman School of Music, I had the great fortune of meeting a group of incredible cellists, who share a mutual commitment to new music through the performance of new works for cello ensemble by American composers.
I am eternally grateful to my dear collegues for having brought Tarab Cello Ensemble to life, and for insuring that it continues to thrive.

An additional group of musicians that deserve the ensemble’s gratitude are the composers. Having found inspiration in the sound of multiple cellos, these artists have gone on to create remarkable pieces, which continue to invigorate us.

Florent Renard-Payen
founder of Tarab Cello Ensemble